When Sarah Resnick from Advah Designs got in touch with us, we were psyched. Focused on “marking life cycle events with ritual and beauty,” Advah designs makes tallits and chuppahs that are “works of art, and tell a story we are proud of,” while rooting themselves in values of social justice–sustainability, inclusivity and fairness–“living out our Jewish values in each item that we design and create.” We talked for a while, and realized just how much we had in common, which resulted in a bit of an informal interview on both ends (you can read Sarah’s interview with me, here). Enjoy! Ketuv: How did this all start? And what made you decide to stick with it? Sarah: I’ve been playing with fabric and yarn and textiles for as long as I can remember–my father’s bedroom was underneath mine when I was growing up, and he could always tell what time I finally went to bed the night before by when my sewing machine stopped whirring above him. When my brother Caleb had his bar mitzvah a few years ago, he asked me to weave a tallit for him. First, he asked for a tallit with a skull on it, and when I declined he asked for one with an American flag…This led to a conversation of what we could create that would last him his whole life, and through that process we chose colors and a design that he was proud to wear on his bar mitzvah. After that, I realized that making tallits was a lot more meaningful to me than simply weaving scarves or shawls, and I was lucky enough to start finding people in Boston who commissioned me to make custom tallits for them. Fast forward a few years, and the requests I was getting quickly exceeded the capacity I had to weave on my own loom. Some stores started reaching out to see if they could carry my work, and I realized there was a real demand for unique, contemporary designs for tallits and chuppahs. So I started thinking about how to find other textile producing communities and artists who I could partner with to create a new line of tallits and chuppahs. I built a relationship with a fantastic social enterprise called Indigo Handloom to create the cloth for the tallits–they employ spinners and weavers in rural Indian villages, and they make this special fabric that is a blend of silk and hand-spun cotton that is heavenly soft and so full of character. I’ve stuck with it because it’s an opportunity to combine so many things that I love: design, ritual, finding ways to create objects in environmentally sustainable and ethical ways, and getting to share the stories of the communities who make and use my tallits and chuppahs.
Photo by Susan Bowlus for Indigo Handloom
Ketuv: Tell me a little bit about the objects themselves. What attracts you to them specifically? Sarah: I met with a rabbi a few weeks ago who really put into words how I feel about this. He said that he always counsels the couples he is marrying to follow the tradition of gifting a tallit to their spouse on their wedding day. He tells them that when times get tough and their relationship hits a challenging period, they will always have that tallit to wrap around them, a physical and comforting reminder of the love and joy and commitment that surrounded them on their wedding day. Memories can fade and photographs can only capture a slice in time, but there is something about wrapping yourself in a tallit, or reaching up to run your hands across the chuppah that is hanging on your wall, that can bring strength and comfort and clarity for how to move forward.
Textiles are the first thing we are wrapped in when we are born, and they take an important place in all of our life cycle events, so I’m drawn to creating for these moments. There’s also the meditative aspect of making fabric. Throwing the shuttle back and forth across my loom, watching thousands of threads slowly turning into cloth–to me, it feels like holy work.
Ketuv: Where do you get inspiration for these designs? Sarah: Each of the chuppahs I make is inspired by a different poem. Wendell Berry, Khalil Gibran, Li-Young Lee–those are the poets that inspired the chuppahs I currently have available for sale. I like to draw inspiration from poets who aren’t Jewish, or who aren’t necessarily writing about lovey-dovey romantic love, and to bring those influences into my work as I create new interpretations of one our most ancient traditions, the chuppah.
What We Need Is Here
Ketuv: What was your “Jewish upbringing” like? How do you participate now? Sarah: I grew up in a small Reconstructionist congregation in Pittsburgh, in an interfaith family. We didn’t have a rabbi, and the synagogue was almost entirely lay-led. My mother–who was born in Berkeley in the 60s and raised by strictly atheist parents–was horrified when I started coming home from Hebrew School talking about how God killed all the evil people in the story of Noah’s Ark. But she warmed up to it when we got to the more nuanced parts, and my family really embraced Shabbat dinners and studying the weekly parsha together. I remember being bored a lot in Hebrew School, but I loved studying at home with my father and I was really raised to see Judaism as a wide and welcoming community that could enrich and support my life.
I’ve wandered quite a bit with my Jewish identity over the last ten years. I struggle to find a traditional synagogue that I feel at home in. I work for an organization called JOIN for Justice, which works to bring Jewish communities into struggles for social justice, and that organization and the alumni of our programs have really become my Jewish home in Boston. I also find a Jewish home sitting at my loom weaving tallits, or sprawled out in a park somewhere painting a new chuppah design. I’m lucky to have been raised to be able to find my Jewish identity everywhere, not just inside a synagogue.
Ketuv: It seems like inclusivity and social responsibility is pretty important to you when it comes to this business–tell me a little about that! Sarah: Before I decided to really make a go at it as an artist, I worked as a community organizer in Toronto and then later in Boston. I’m drawn to people and their stories, and I see a lot in the world that is totally screwed up and needs to change–both within the Jewish community, and in the broader world. While my professional work has shifted away from directly organizing for social and political change, I always knew that inclusivity and social responsibility would be at the heart of my business. There is enough cheaply made crap that comes from exploitative labor in China to last us all a few times over–and sadly, there’s plenty of Judaica that fits into this category too. I want to create beautiful, well-made objects that lift up and celebrate the communities of the people who make them. Otherwise, what’s the point?
Sunrise Tallit Gadol
Ketuv: How would you like to see Judaica and Jewish ritual change? What do you see as your contribution in that arena? Sarah: I’d like to see Judaica and Jewish ritual continue to adapt to the increasing and glorious diversity that is represented in our Jewish community. There are so many ways to express and interpret our connection to Jewish ritual beyond pomegranates and Stars of David, and I think the most exciting Jewish art is bringing influences from the broader world into our traditions to enrich them and also open them up to the wider community. There are are a number of artists and Jewish leaders who are doing this (including the inspiring work of Ketuv!), and I’m excited to join this community through my work through Advah Designs.
Let the Winds of Heaven Dance Between You
Find out more about Advah Designs here.
We just received these lovely images from Jackie and Ronnie’s wedding and we just HAD to share them. Traditionally, before the bride and groom go to the chuppah, the groom has a Tish, where liquor is drunk and the ketubah is signed by two male witnesses. Ronnie’s looked like one helluva party!
Jackie and Ronnie chose Alice Scott’s Pomegranate Gem ketubah. Ronnie is Persian and cited the importance of pomegranates in Persian culture. Jackie’s birthstone is the ruby, which sparkle from inside the pomegranates. It felt personal to both of them, and they both liked the way the ketubah took a traditional symbol and mixed it up a little.
Some couples choose to put their ketubah on an easel. Still others forget this detail altogether and must handle the unprotected ketubah. Jackie and Ronnie dealt with this very cleverly. They had the ketubah framed before the wedding, but without the glass, to allow for signatures. After the wedding, they went back to the framer and added the glass. (If you don’t want to frame beforehand, you can always get your ketubah matted for the wedding and frame later.) The frame without the glass was also light enough for Jackie’s mother to hold the ketubah during the ceremony, which had a very intimate look and feel.
I have to admit, I’m a faithful reader of the New York Times Wedding and Celebrations section, mostly because I find it really inspiring the way that love happens in all different ways, at different times for different people. Recently, I read this article, about two Jewish writers who found one another on OKCupid. The article makes mention of the fact that the writers used antique books as their wedding centerpieces. It’s hard when you’re keeping up a wedding blog not to plan your own wedding– even if you’re not even currently dating someone! I love this idea, and I thought I’d do some aggregating for all of y’all looking for inspiration. The great thing is so much of this has the potential to be cheap and DIY.
First some general Inspiration.
The coolest thing about books is the way you can play with color. Whatever your wedding palette, you can do it with books! Check out these book gradients!
Now for the Jewish stuff:
This picture has been circulating on the wedding blogs (from 100layercake):
Seems it would make a perfect chuppah, right? But it is a bit…much. All themes are in some respect performative, but this to me crosses over into theatre. So here are some other suggestions for a bookshelf-inspired chuppah.
Why not make your four posts out of verticle bookshelves like this one from Sapien?
The tall version of this bookshelf is (only?) 76 inches, and at almost $300 a pop, it’s hardly cost efficient for a four-poled chuppah. BUT, there’s no reason, with a little hard work and ingenuity, you couldn’t fashion something similar yourself. What would be the coolest (if you ask me) is an invisible shelf, that makes it look as though the books are precariously stacked one on top of the other. You could also use a metal rod to go down through all of the books, if you’re not worried about losing them. You can drill eyehooks into the top book of all four posts and attach your chosen chuppah fabric that way. (If anyone takes this advice and goes for it, please please please send us pictures! We’d love to see it!)
We’ve already blogged about using garlands from Etsy to make your chuppah. Here are some literary-themed ones that would be great for this purpose.
By hoopdaloop. $10 for a 10-foot garland
By The Pulparazzi. $9.50 for a 53 in. garland
By daisyanddots. $10 for 46 in. garland
Who says your ketubah can’t be in a book format? Just because few people do it, doesn’t mean it can’t be done! Several of the artists on our Ketuv roster work in book arts. Why not commission one to make your ketubah in a book, with the signatures on the last page? I particularly like the idea of a ketubah in a moleskine, a la Catalina Uribe Percy:
Ketuv artist Golnar Adili also experiments with text and documents in interesting ways:
Bookmarks, bookmarks, bookmarks!
Imbue You Wedding has some really beautiful ones:
Martha Stewart also has some good suggestions on how you can DIY, with a nice card stock and store-bought tassles.
Green Wedding Shoes posted a bride’s account of her invitation within a book. They’re great, but so time consuming they almost don’t seem worth it. Not to mention the exorbitant shipping costs. I much prefer these less bulky, more suggestive designs by Oh So Beautiful Paper.
This is tops in my opinion. Totally DIY, and the name cards are personalized take home bookmarks. Only one suggestion: what if the line of books were a color gradient? Sure you might not have all your “favorites” but it would be real purdy.
Ok, so this has got to be the coolest idea ever:
From Gardenkultur and reblogged by Inhabitat. Thankfully, you can DIY, and Inhabitat has a great tutorial on how to create book planters. May I suggest bonzais?!
Along the same lines:
Other great ideas:
Tutorial from Once Wed.
I’m telling you, people, GRADIENTS.
Simply amazing. Via 100layercake.
Via Wedding Bee
Particularly love these very very old books. Via The Sweetest Occasion.
A great idea by Jennifer and Chad from Hartland, MI, as featured in Brides.
The “typewriter guestbook” idea from Martha Stewart:
But what I think could be even cooler is turning an old book into a guestbook by lightly whitewashing the pages with watered down acrylic paint or gesso, and leaving certain text or images un-whitewashed, to show through. Your guests will sign right on top of the whitewashed pages. Here’s a tutorial that teaches you to do something similar. I’m not suggesting the scrapbook option, though you could do that, too, but rather that you use the text or images that were originally in the book to spruce it up. You could use a book of love poetry or a book of illustrated fairy tales, for example (or feel free to use something entirely less cheesy, of course). If you try it, send us a pic!
What do you think of this idea? Every guest brings a book they love, but wouldn’t mind parting with, and they deposit them on bookshelves somewhere in the wedding space. (What about on bookshelves like these invisible ones, from Umbra?) When everyone leaves, they take a book with them that interests them, as provided by another wedding guest. You can encourage How-To books, picture books, comic books, etc. for those who aren’t big readers, so they’ll be able to contribute and exchange with one another. Personal, progressive, and FREE.
Secret “book boxes” are relatively easy to make, and a great gift. I wouldn’t recommend trying to make them for every wedding guest, unless you’re having a very small wedding, but for your nearest and dearest, I think this is a fun and personal DIY gift. Here’s a great tutorial on making a secret hollow book.
As I said before, I wonder at what point a theme goes overboard and becomes complete theatre. I imagine you couldn’t do all of these things at once, but rather choose the accents you most enjoy. Let us know what you think!
We recently checked up on our Google Analytics, trying to figure out what keywords have brought you all to Ketuv.com. We realized that many of you found us by asking ketubah-related questions that we actually haven’t yet answered on our site. So we decided to cull the questions from our Analytics “search words” and answer them. Hope this helps! Please keep in mind that, as with many issues in Judaism, the answer depends on the religious observance of the asker, but we will try to answer from many different perspectives as best we can. Q: What happens if you lose your ketubah? A: According to Jewish law, if you lose your ketubah, a new ketubah must be written immediately, as it is forbidden for a couple to live together without their ketubah. The couple will appear before the rabbi and ask for a new ketubah, which will feature the date that the new ketubah was written, and not the date of the marriage. Of course, if your ketubah serves more of a cultural function than a legal/religious function in your lives, you may simply choose to buy another one, or wait until your anniversary to get an anniversary ketubah, like the ones featured on this site. Q: What happens if your ketubah has the wrong date? A: According to Jewish law, any major error in filling out the ketubah means that you must obtain a new ketubah in the manner described above. However, if your rabbi catches the mistake, s/he may choose simply to cross out or edit directly on top of the text. If you’re more concerned with the document’s accuracy than with a blemish on your ketubah text, then this may be the best option. Either way, it’s important to make sure you provide the ketubah company with the correct information, as verified with your rabbi, or that your rabbi has the correct information before he fills out your ketubah. Q: Who can fill out the ketubah? Does it have to be a rabbi? A: It is best for a rabbi familiar with Jewish law to fill out your ketubah, especially if you are religiously observant, although many ketubah companies (including this one) can personalize the text for you beforehand, which is also an acceptable option. If you choose to personalize your ketubah text beforehand, you should always ask for a proof of the final text and have it confirmed with your rabbi. If your ketubah is more of a memento or a cultural document, who you’d like to fill it out is up to you. Of course, if you choose a ketubah with Hebrew text, make sure there is someone on hand who can read and write Hebrew. Q: Who can sign the ketubah? Can more than two witnesses sign? Do the witnesses have to be Jewish? A: According to Jewish law, the witnesses must be two religiously observant Jewish men who are not related by blood to the bride and groom. However, if you’re not observant, it’s your choice who you would like to honor as a witness. We featured an interfaith ketubah on this blog that was signed by every wedding guest. Q: What are the husbandly duties outlined in the traditional ketubah text? A: The Orthodox and Conservative texts state that the husband is obligated to provide his wife with food, clothing and sex. The husband is also promising to pay his wife an agreed upon sum in the event of divorce or death. Many couples who are not religiously observant may choose to have a mutual agreement—one where the wife also takes on obligations towards her husband. Couples often write their own texts that reflect more expansive and personal ideas about the obligations of marriage. Q: What is the relationship between the ketubah and the get? A: A “get” is the document required to divorce by Jewish law. Your ketubah will have laid out some of the financial terms in the event of divorce, and may be referred to during the writing of the get. Otherwise, you do not need a ketubah to get a get. As long as one of the people in the couple is Jewish by birth, you can ask a rabbi for a get in the event of divorce. Q: How do you fill out a ketubah? A: Orthodox and Conservative Rabbis have handbooks and other resources for filling out ketubot. If you are using a text besides the accepted Orthodox or Conservative texts, you should receive fill-in instructions from your ketubah company. Ketuv provides fill-in directions with all of our ketubot. Q: Can you have a ketubah if one of the partners isn’t Jewish? A: Orthodox people do not believe in interfaith ketubahs, but then again they are unlikely to be in an interfaith marriage. For many Jews in interfaith relationships, interfaith ketubahs are a wonderful way to celebrate one’s roots, and are commonly available at most ketubah stores. Bonus question about chuppahs! Q: Can the chuppah be made out of any fabric or does it have to be a tallit? A: The chuppah can be made out of any fabric, and does NOT have to be a tallit. What’s more important is that it is made of four poles and is open on all sides.
We’ve been focusing a lot on DIY chuppahs, but what if you still want something handmade, but you’re not really the crafty type? Never fear, Etsy is here!
We took a look at what Etsy has to offer and we’ve decided to give you our favs.
1. Intricately-Cut Canopies by sculptor Andrea Cohen‘s chuppahstudio.
Photos by Anna Kuperberg Photography
While it’s definitely more of an investment, we can’t help but drool over internationally known sculptor Andrea Cohen’s custom chuppahs. From her Etsy page: “Each chuppah comes with a painted wood frame and intricately-cut canopy. The canopy pattern, as well as the frame and canopy colors are all customizable.”
2. Quilted Canopy by Kelly Brooks of BrooklynNouveau.
Getting your names and wedding date embroidered on the back side of the chuppah costs just a bit extra ($50) but it seems worth it to me! She can also build a sleeve onto the back of the chuppah so after the wedding it can be hung on the couple’s wall.
From her Etsy page: “I will create a completely personalized quilted chuppah based on your colors and style for use on your wedding day. This chuppah is perfect for a couple looking for a unique, rustic chic, handmade feel to their wedding. Great for outdoors (the light shines through the top with a wonderful stained glass-like effect) or indoors. I made one for my own wedding and it was so beautiful and fun that I thought I would start doing this for others!”
3. Garlands! (Various)
Ok, so we said no DIY. But this is only halfsies. We showed you the wonder of garland-based chuppahs with the Confetti System chuppah. The good news is, you can basically do this with any kind of garland. All you have to do is make the posts (there are lots of quick, easy, affordable ways of doing this, depending on what you want) and string a few of them across.
Reblogged from Pretty Lucky Events.
The extra good news is that when you type “garland” into Etsy there are literally over 15,000 results, and most of them are really affordable. Here are some of the garlands we think would make great chuppahs.
Pom Pom Garland by WestcoastKnittery. $17/ 70 in.
Pom Pom Garland by perfectlypaper. $40/ 7 ft., comes in customizable colors.
Hand-cut Heart Garland, by PaperPolaroid. $35/ 9 hearts
Shakespeare Book Heart Garland by bookity. $28/ 8 ft.
Vintage Handkerchief Flower Garland by HomeRoomStudio. $18/ 6.5 ft.
Vintage Map Garland by moonandlion. $8.50/ 9 flags
Comic Garland by missisaau. $6.50/ 30 in. Also check out her Heart Garlands. (You might have to ask her to make longer ones.)
Crochet Garland by Emma Lamb. Colors customizable. $59/ 70 in.
Tissue Garland by pipsqueakandbean. Customizable colors. $9.50/ 12 ft.
Paper Garland by hoopdaloop. Fully customizable. $18/ 15 ft.
Paper Fan Garland by EntertainingPapers.$24 / 6 tassels (6 ft.)
Fabric Garland by ShopLuLus. $42 / 65 in.
We love the idea of garland chuppahs. You can get a lot of them affordably and match your chuppah to other accents of your wedding decor. The possibilities are endless, whether you go the DIY or the Etsy route.
On the one year anniversary of her wedding, as she and her husband prepare for a long awaited Ireland honeymoon, Ketuv artist Aliza Lelah shares all of the lovely handmade, personal details of her Colorado wedding.
The Chuppah: My mom made the chuppah. It’s made out of her great grandmother’s table cloth, with pictures of my family ancestry printed on fabric and sewn on, their names and dates of their marriage embroidered underneath. My older brother got married in 2009 and used this chuppah, and then their photo was added to it. Justin and I used it in 2010, and now our photo will be sewn on, in anticipation of my younger siblings’ weddings. The chuppah was hung over Aspen trees that me, Justin, and two of our friends cut down here in Colorado.
The Ketubah: Our ketubah was something completely different than any ketubah I have ever made. The text was silk-screened onto an old piece of wood. The wood has clearly withstood the test of time, and is a symbol of our future. The image of Robin Hood and Maid Marion are painted on, and that image represents a special memory for me and Justin, dating all the way back to when we met in 2003.
The Centerpieces: The centerpieces were made by sculptor and friend Andrea Moon, and were inspired by Yoko Ono’s Wish Tree installations. The ceramic tree trunks were on every table, with wire as the branches. At each place setting was a note about Yoko Ono’s installations, a pen and a white tag, asking people to make a wish for us. After they wrote their wish, they hung it on the centerpiece. The place seem to sparkle after people began adding their wishes!
The Place Cards: The place cards were hanging on a few ceramic trees when the guests walked in. We had a small, intimate wedding of 60 people. Each place setting had an old photo on one side of either Justin or me with that person, and on the other side, there was a recent photo of Justin and me with them. There were no names– only photos.
What I Wore: Almost everything I wore came from our grandmothers. I wore Justin’s grandmother’s dress. I changed it only a little, by shortening the sleeves and removing the fabric that went up to the neck. My engagement ring was my maternal grandmother’s: a lovely opal. I wore my paternal grandmother’s pearls, and the earrings I wore were her mother’s. The earrings had even more significance, as they are the only thing my grandmother managed to save of her mother’s before she died in Iraq, just before they were kicked out for being Jewish. All three grandmothers were at the wedding, and it was so special.
Justin’s grandmother in her wedding dress
Me in the slightly modified dress
The Bouquet: I made my bouquet out of vintage buttons.
Breaking the Glass: Both Justin and I broke the glass. Justin is half-Jewish, and we sort of cherry picked the traditions that were important to us and who we are.
The Giveaways: These took literally all of last year to make. Justin and I compiled a list of lyrics by different artists that were meaningful to us. I hand and machine stitched those words onto fabric, stretched them, and built stained-wood frames. During cocktail hour, they were displayed in shelves I made, with a note on the highboy tables asking everyone to remember which frame spoke to them, and to take that one home at the end of the night. That way, each household got to take a piece of the wedding home with them. It’s been so magical this year, learning who took what and seeing them in the homes of our family and friends.
Happily: We got married outside at a venue in boulder called Chautauqua, at the base of the Flatiron mountains. Our reception was called the Community House. We were not allowed to take anything off the walls at the Community House because of its protected historic status, except for in one spot: above the fireplace. Justin and I decided on the one thing I would make to go there– the word “happily.”
We found this fun and modern chuppah from Sarah and Mike’s Connecticut wedding on photographers The Image Is Found’s cialis hypotension blog. It was made by the Confetti System, a creative duo that has crafted sets and installations for everyone from J. Crew to the Gagosian Gallery, to musicians Beach House and the Yeah Yeah tadalafil online Yeahs (they clearly also have good taste in music). The Confetti System describes their process as one that “transforms simple materials such as tissue paper, cardboard, and silk into interactive objects that create a point of focus, where memories are canada pharmacy online made and a spontaneous collaboration with the viewer is sparked. Confetti System’s creations occupy the space between the ephemeral and the permanent, evoking a sense of nostalgia and lighthearted fun.” And check this out: the bride was the one to break the glass! We’re new cialis research chemicals to the world of wedding blogs, but one thing has become clear: not all wedding photography was created equal. For some superior shots, visit The Image Is Found’s wedding photos. It’s downright inspiring. BONUS: The Confetti System charges genericcialis-2getrx.com $130 per 12-foot garland, and you can choose custom colors. But if that’s not really in your budget,
we found this tutorial over at The Knotty Bride to make your own Confetti System. If you’ve got the time and the patience, looks like you’ve got yourself a DIY chuppah!
The idea of the chuppah bed sprung from furniture designer Henry Levine’s own wedding in 2004. In an effort to personalize his chuppah, Levine, a Parson’s School of Design MFA graduate, fashioned its four posts from scrap wood from the floor of his studio.
The Levines under the chuppah, made from scrap wood from Henry’s studio.
The poles sat stored away in the couple’s new home in Texas for nearly four years, until Henry decided he wanted to incorporate them into a piece of furniture– aptly, the couple’s marital bed. We love this idea not only because of its modern aesthetic, but also because of its inherent symbolic value– taking the chuppah, the symbolic “home” that the couple creates on their wedding day, to one of the couple’s most sacred spaces within their home. It also jives with one of Ketuv’s focal points: turning modern takes on traditional objects into heirlooms, thereby keeping traditions alive.
The Chuppah Bed
Levine now offers the chuppah bed to other couples. He creates the poles first from reclaimed and salvaged high-quality wood and sends them to the couple to be used in their ceremony (the couple must provide the fabric for the canopy itself, whether it be a talis or otherwise, according to their vision). After the ceremony, the couple will send the poles back to Henry in Austin, Texas and he will build the four-post bed from the poles.
The chuppah poles come free with the purchase of the chuppah bed ($6200.00 for a King and $5900.00 for a Queen), or can be purchased alone for $1200 (for a set of four poles). He’s also available to design custom poles and beds that are priced accordingly.
Levine believes that the chuppah bed can have relevance for couples of many different faiths, and we agree. A canopy creates a private space for the couple on their wedding, the sacred space where they are joined. Making the marital bed reminiscent, or perhaps a re-creation of this space is, simply, a beautiful thought.
You can learn more about the chuppah bed, and see more of Henry’s work at his website: www.henrylevine.com.
This DIY chuppah comes from Christine and Nate in California. It was built from branches collected from the backyard of the bride’s childhood home in Portland. The canope is a batik thrift store fabric, cut to size. The wood boxes were built by the bride and groom (they got a kid at Home Depot to cut the wood down to “not quite the right sizes”), and family members helped pour the cement into the boxes on the wedding day.
There’s a lot to love about this chuppah: elegant, personal, eco-friendly and economical. And let’s not forget the stone-lined aisle. Kinda Andy Goldsworthy.
The couple did A LOT of the wedding details themselves, and you can see a bit of the DIY glory on Christine’s Flickr page, or on her blog. We couldn’t help but notice their awesome homemade ketubah– which Christine describes as a cross between a ketubah and a Quaker wedding certificate. Interesting that both of their heritages (Christine comes from Quaker stock, and Nate is Jewish) include the signing of a marriage document. One of the wonderful details from the Quaker tradition is that everyone present at the wedding signs the document. Very cool. You can hear what Christine has to say about the “Quaker ketubah” on her blog.